Tuesday, November 17, 2009
ನಿನ್ನೆ ಅಫ್ಘಾನಿಸ್ತಾನ, ಇವತ್ತು ಪಾಕಿಸ್ತಾನ, ನಾಳೆ ಹಿಂದುಸ್ತಾನವೇ?
ಹೊರ ಪ್ರಪಂಚಕ್ಕೆ ಕಾಣೋದು ಸಾಧನೆಗಳು ಮಾತ್ರ. ಅಲ್ಲಿಯ ಜನ ಯಾವಾಗ ತಾಲಿಬಾನಿಗಳು ತಿರುಗಿ ಬರುತ್ತಾರೋ, ಯಾವಾಗ ನಾವೆಲ್ಲಾ ಆ ಉಸಿರುಗಟ್ಟಿಸುವ ವಾತಾವರಣಕ್ಕೆ ಮರಳುತ್ತೀವೋ ಅಂತ ಹೆದರಿಕೊಂಡೇ ಬದುಕುತ್ತಿದ್ದಾರೆ. So-called "ಮಾನವತಾವಾದಿಗಳು" ಸುಮ್ಮನಿದ್ದುದೇಕೆ? ಎಲ್ಲೋ ಯಾವುದೋ ದೇಶದಲ್ಲಿ ನಡೆಯೋ ಘಟನೆಗಳಿಗೂ, ನಮಗೂ ಸಂಬಂಧವಿಲ್ಲ ಅಂತಾನಾ? ಯಾಕೆ ಅವರು ಮನುಷ್ಯರಲ್ವಾ? ಅಥವಾ ನಮ್ಮ ದೇಶದಲ್ಲಿ ನಡೆಯುತ್ತಾ ಇರೊದಕ್ಕೆ ತೋರಿಸೋ ಕನಿಕರಕ್ಕೆ ಸಿಗೋ ಪ್ರಚಾರ, ಹೆಸರು, ಬುದ್ಧಿಜೀವಿಗಳ ಪಟ್ಟ, ಅಷ್ಟು ದೂರದ ದೇಶದ ನೊಂದವರಿಗೆ ತೋರಿಸಿದ್ರೆ ಸಿಗುವುದಿಲ್ಲ ಅಂತಾನಾ? ಅಥವಾ ತಾಲಿಬಾನಿಗಳು ಹಿಂದೂ ಜನರ ತರ ಹೇಳಿದ್ದೆಲ್ಲ ಕೇಳಿಸಿಕೊಂಡು ಸುಮ್ಮನೆ ಇರುವುದಿಲ್ಲ ಅಂತ ಹೆದರಿಕೆನಾ?
ಅಫ್ಘಾನಿಸ್ತಾನದವರೆಗೆ ಹೋಗೋದೇ ಬೇಡ. ನಮ್ಮ ನೆರೆಯ ಪಾಕಿಸ್ತಾನಕ್ಕೆ ಕಾಲಿಟ್ಟು ೪೦೦ಕ್ಕೂ ಹೆಚ್ಚು ಶಾಲೆಗಳನ್ನು ಮುಚ್ಚಿಸಿ, ೫೦,೦೦೦ಕ್ಕೂ ಹೆಚ್ಚು ಹುಡುಗಿಯರನ್ನು ಹೆದರಿಸಿ, ಶಾಲೆ ಬಿಡಿಸಿದ್ದಾರೆ ತಾಲಿಬಾನಿಗಳು. "ಒಬ್ಬ ಮಗಳು ಹುಟ್ಟಿದರೆ, ಅವಳ ತಂದೆ ಅವಳನ್ನು ಚೆನ್ನಾಗಿ ಸಾಕಿದರೆ, ವಿದ್ಯೆ ಕಲಿಸಿದರೆ, ಜೀವನ ಕಲೆಗಳಲ್ಲಿ ಅವಳನ್ನು ಪರಿಣಿತಳನ್ನಾಗಿಸಿದರೆ, ಆ ತಂದೆಯ ಮತ್ತು ನರಕದ ಬೆಂಕಿಯ ಮಧ್ಯೆ ನಾನೇ ನಿಲ್ಲುತ್ತೇನೆ." ಈ ವಾಕ್ಯಗಳು ಇರುವುದು ಯಾವ radical ದೇಶದ radical ಪುಸ್ತಕದಲ್ಲೂ ಅಲ್ಲ, ಬದಲಾಗಿ ಕನ್ಝ್ ಅಲ್-ಉಮ್ಮರ್ ಅನ್ನುವ ಇಸ್ಲಾಮಿಕ್ ಹದಿತ್ ಸಂಕಲನದಲ್ಲಿ. ಅದು ಎಲ್ಲಾ ಧರ್ಮಗಳ ಪುಸ್ತಕಗಳಲ್ಲಿರುವ ಬುದ್ದಿಮಾತುಗಳ ಹಾಗೆ ಪುಸ್ತಕಕ್ಕೆ ಮಾತ್ರ ಸೀಮಿತವಾಗಿದೆ.
Anyway, ಹೆಣ್ಣಿನ ಮೇಲಿನ ದೌರ್ಜನ್ಯಕ್ಕೆ ತಾಲಿಬಾನಿಗಳೆ ಯಾಕೆ ಬೇಕು ನಮ್ಮ ದೇಶಕ್ಕೆ? ನಮ್ಮದೇ ಡಾಕ್ಟರ್ ಗಳು ದುಡ್ಡು ತೆಗೆದುಕೊಂಡು ಆ ಕೆಲಸ ಮಾಡ್ತಾರೆ. ಕೆಲವು ತಿಂಗಳುಗಳ ಹಿಂದೆ ಇಬ್ಬರು ಪತ್ರಕರ್ತರು ಮಾರುವೇಷದಲ್ಲಿ ಆಗ್ರಾದ ಒಬ್ಬ ವೈದ್ಯರ ಹತ್ತಿರ ಸತ್ತ ಹೆಣ್ಣು ಭ್ರೂಣವನ್ನು ಏನು ಮಾಡುವುದು ಎಂದು ಕೇಳಿದಾಗ, ಆ ವೈದ್ಯ "ಒಂದು ರಿಕ್ಷಾದಲ್ಲಿ ತೆಗೆದುಕೊಂಡು ಹೋಗಿ ಯಮುನಾ ನದಿಯಲ್ಲಿ ಬಿಸಾಡಿ" ಅಂದನಂತೆ. ರಾಜಸ್ತಾನದ ಧೋಲ್ ಪುರದಲ್ಲಿ ಒಬ್ಬ ವೈದ್ಯೆಯ ಪ್ರಕಾರ ಎಷ್ಟೋ ಗದ್ದೆಗಳಲ್ಲಿ ಅನಾಮಿಕ ಹೆಣ್ಣು ಭ್ರೂಣಗಳ ಸಮಾಧಿಗಳು ಬೇಕಾದಷ್ಟಿವೆ. "ನಿಮ್ಮ ಭ್ರೂಣ ಬಿಸಾಡಲು ಆಗದೆ ಇರುವಷ್ಟು ದೊಡ್ಡದಿದ್ದರೆ, ರಸ್ತೆ ಗುಡಿಸುವ ಮಾಲಿಗೆ ಕೊಡಿ, ಜೊತೆಗೆ ಸ್ವಲ್ಪ ದುಡ್ಡು ಕೊಡಿ, ಅವರು ನೋಡಿಕೊಳ್ತಾರೆ," ಅಂದಳಂತೆ ಆ ವೈದ್ಯೆ.
ನಿನ್ನೆ ಅಫ್ಘಾನಿಸ್ತಾನ, ಇವತ್ತು ಪಾಕಿಸ್ತಾನ, ನಾಳೆ ತಾಲಿಬಾನಿಗಳು ನಮ್ಮ ಮನೆಯ ಕದ ತಟ್ಟಿ, ನಾವು, ನಮ್ಮ ಮಕ್ಕಳು ಬದುಕುತ್ತಿರೊ ಈ ನೆಮ್ಮದಿಯ, ಸ್ವತಂತ್ರ ಬದುಕಿಗೆ ಬೇಲಿ ಹಾಕೋ ಮುಂಚೆ ನಾವು ಎಚ್ಚೆತ್ತುಕೊಳ್ಳುವುದು ನಮಗೇ ಒಳ್ಳೆಯದು. ಆದರೆ, ಅಫ್ಘಾನಿಸ್ತಾನದಲ್ಲಿ ಹೆಂಗಸರು, ಮಕ್ಕಳು ಬೂದಿ ಮುಚ್ಚಿದ ಕೆಂಡದಂತೆ ಇನ್ನೂ ಅನುಭವಿಸುತ್ತಾ ಇರೋ ಯಾತನೆಗಳ ಬಗ್ಗೆ ನನ್ನ ಪರಿಚಯದ ಒಬ್ಬಳು ಮುಸ್ಲಿಮ್ ಹುಡುಗಿಗೆ ಹೇಳಿದಾಗ ನನಗೆ ಸಿಕ್ಕ ಉತ್ತರ ಅಲ್ಲಿನ ಸ್ಥಿತಿಗಿಂತ ಆಶ್ಚರ್ಯ ಹುಟ್ಟಿಸುವಂತೆ ಇತ್ತು. ಅಲ್ಲಿ ಕೊಡೋ ಚಿತ್ರಹಿಂಸೆಗಳ ಬಗ್ಗೆ ಅವಳ ಪ್ರತಿಕ್ರಿಯೆ, " ಅವರೆಲ್ಲಾ ಏನೋ ತಪ್ಪು ಮಾಡಿರ್ತಾರೆ, ಇಲ್ಲಾಂದ್ರೆ ಯಾಕೆ ಶಿಕ್ಷೆ ಕೊಡ್ತಾರೆ?" ಎಷ್ಟು ಜನ ತಪ್ಪು ಮಾಡಲು ಸಾಧ್ಯ? ಒಬ್ಬರಾ? ನೂರು ಜನ? ಅಥವಾ ಸಾವಿರಾರು ಜನ?
ಇಲ್ಲೇ feminismನ ಅಗತ್ಯ ಇರೋದು. ಅನ್ಯಾಯಗಳ ವಿರುದ್ಧ ಪ್ರತಿಭಟನೆ ಮಾಡೋದು ಮಾತ್ರ feminism ಅಲ್ಲ, ಎರಡು ತಿಂಗಳು ಬಿಸಿ ಆರೋವರೆಗೆ ಪತ್ರಿಕೆಗಳಿಗೆ ಹೇಳಿಕೆ ಕೊಡೋದು, ಸಂಘ ಕಟ್ಟಿಕೊಂಡು ಭಾಷಣ ಬಿಗಿಯೋದು ಕೂಡ feministsಗಳು ಮಾಡಬೇಕಾದ ಅತ್ಯಗತ್ಯ ಕೆಲಸ ಅಲ್ಲ. ಅವರು ಮಾಡಬೇಕಾದುದು ಇಷ್ಟೆ: ಹೆಣ್ಣು ಮಕ್ಕಳ ಹಕ್ಕುಗಳ ಬಗ್ಗೆ ಅವರಲ್ಲಿ ಜಾಗ್ರತಿ ಮೂಡಿಸಬೇಕು, ನಮ್ಮನ್ನು ಸಂಪ್ರದಾಯ ಅನ್ನೋ ನೆಪದಲ್ಲಿ ಅರ್ಥವಿಲ್ಲದ, ಅಪಾಯಕಾರಿ ಆಚರಣೆಗಳಿಗೆ ಒಡ್ಡಿದರೆ ತಿರಸ್ಕರಿಸುವ ಹಕ್ಕು ನಮಗೆ ಇದೆ ಅಂತ ಅರಿವು ಮೂಡಿಸಿದರೆ ಸಾಕು, ಇಲ್ಲಿ ಯಾವ ಸಮಾಜ ದ್ರೋಹಿ ಶಕ್ತಿಯನ್ನು ಬೇಕಾದರೂ ಹರಡದಂತೆ ತಡೆಯಬಹುದು. ನಮ್ಮ ದೇಶದಲ್ಲಿ ಜಾತಿ, ಮತ ಬೇಧವಿಲ್ಲದೆ ಎಲ್ಲಾರಿಗೂ ಇರೋ ಸ್ವಾತಂತ್ರ್ಯ ಬೇರೆ ಯಾವ ದೇಶದಲ್ಲೂ ಇಲ್ಲ ಅಂತ ಅಲ್ಲಿಗೆ ಹೋಗಿ ಅನುಭವಿಸಿದವರಿಗೆ ಮಾತ್ರ ಗೊತ್ತು. ಎಷ್ಟು ಬೈದರೂ, ಎಷ್ಟು ತಿರಸ್ಕಾರ ಮಾಡಿದರೂ, ಹಾಗೆ ಬೈಯ್ಯಲೂ ಇಲ್ಲಿ ಮಾತ್ರ ನಿಜವಾದ ಸ್ವಾತಂತ್ರ್ಯ ಇರುವುದು. It is a sin to be a free person in Afghanistan, an intellectual individual in Pakistan. ಈ ಸ್ಥಿತಿ ನಮ್ಮ ದೇಶಕ್ಕೂ ಬರದೇ ಇರಲಿ. --ಶ್ವೇತಾ ಪಾಂಗಣ್ಣಾಯ
Saturday, November 14, 2009
Home for prisoners’ kids
Nearly seven million children in India under the age of 14 do not have access to quality education. Children from social and religious minorities, children with disabilities, working children, those living on the streets, children affected by conflict and disasters are prone to neglect. Over two million children in India die every year before they reach their fifth birthday. The United Nations General Assembly, in 1954, recommended all countries to dedicate a day to the celebration of the spirit of children and their talent. But their spirit and talent are getting wasted under physical labour and inaccessibility to education.
As a step to help such children, the Foundation for Restoring Human Dignity (FORHD), Mysore Chapter, is running 'Makkala Mane' in Kuvempunagar giving shelter and education to the destitute children of the prisoners. The Weekend Star Supplement also touches on the sensitive matter of child labour.
Imagine living without parents; especially bearing the tag of being the children of criminals. The society will call the child a future criminal, despite the nature of the child. The parents of other children will shun the child, avoid their children from mingling with the child and the relatives of the children refuse to support them fearing that he or she would become like their parents. Most such children become vagrants and beggars. Some resort to violence to fill their empty stomach and in turn become what the society feared they would become — criminals. To avoid this and to give a home to such children, FORHD Home for children [Makkala Mane] was started by former Police Chief L.Revannasiddaiah under the auspices of his Foundation for Restoring Human Dignity (FORHD) in September 2004 at #1795, K Block, Udayaravi Road, Kuvempunagar, Mysore.
When both the parents go to jail or when the mother goes to jail, they are allowed to take children below 7 years to the prison along with them. Prisoners are counseled by FORHD regarding value of education or undesirable nature of keeping children in prison along with them. Such children who do not live in prison along with parents and have no other home outside are housed in Makkala Mane; at present there are 23 children. They are given food, shelter, clothing and education free of cost.
Makkala Mane is being looked after by former Deputy Commissioner of Police Rangappa, Chairman of FORHD, Mysore Chapter, Warden Shambaiah and cook Mayamma.
When SOM visited Makkala Mane, the children were home after school and were busy studying. Rangappa was busy admonishing a boy about his wrongdoings.
Rangappa, later speaking about the home, said the children are brought here from villages and towns all over the State, as far as North Karnataka. The FORHD sends appeals to all prisons in the State to send any children who are orphaned because of their parents' conviction, poverty or death. If they come to know the whereabouts of such children, they go to them and bring them here with the consent of either their parents in jail or the relatives. Almost all the kids are very poor, with no means of sustenance if left outside. Some children remain here even if their parents are released from the jail. The children are fed, clothed and sent to various schools in city.
"When they first came here, some children were in a very bad physical and mental condition as there was no guardian to look after their needs. They were dirty, with tangled hair and mentally depressed. It took some time to bring them to normalcy,” says Shambaiah.
When asked about the tuition and counselling for the kids, Rangappa said that no teacher was willing to come and teach them and most of them who did come, asked for exorbitant prices; it is being contemplated to seek the help of psychiatrists for periodic counselling of the children and to start computer classes. But the only problem is dearth of funds. Children aged from 3 years to 15 years live here.
There is a ghastly story of violence behind every child in Makkala Mane. Warden Shambaiah reveals the stories of some of them. Mangala from Hinkal is 10 years old and is studying in 5th std. She came here after her mother died and father Subramani, who was a car driver in profession, was sent to jail in a murder case. He still has to complete 7 years out of the life term awarded to him by the court.
Sisters Ramya and Jyothi are studying in I PUC and 8th std. respectively. Their father, who was in jail, was released two years ago and mother works as a daily wage labourer. As they are very poor and cannot afford to educate their children, the girls still live in Makkala Mane. Shambaiah says the children will be looked after only till they attain 14 years and hence, both sisters were sent to a girls' hostel to continue education. But the girls came running back to Makkala Mane in 6 months. Ramya is studying Commerce in PUC and says happily that she wishes to join BBM.
Here is a case of a child suffering the results of the misdoings of the parents. Vinod Raj's whole family was arrested in a dowry case when his father's sister-in-law lodged a complaint against the whole family that they tortured her for dowry. When the elders in the family were arrested, there was no one to look after the child. He joined Mane in 2004 and is now studying in 9th std. There are numerous such stories behind the children here.
These children have forgotten their homes and think Makkala Mane as their real home. They visit their parents, if alive, either in jail or outside, regularly. But they all come back to the Mane willingly.
However, some children who are adamant and do not adjust themselves to the atmosphere at the Mane are sent out. Siddaraju, 17, and his sister Nagamani were sent out of the Mane for their rude behaviour and reluctance to adjust with other children. Rangappa and Shambaiah say they could not correct the kids’ behaviour even after many attempts. Their father is still in jail serving life term.
The youngest among the inmates are sisters Akshata and Ashwini who are 7-year-old and 5-year-old respectively. Their father Kuppendrayi is in Gulbarga jail serving term for murder. The girls joined Makkala Mane this year and are the cutest of the lot.
They may be the children of criminals but they are just that: children. They are innocent and know nothing of the deeds of their parents. Most of them are not even fully aware of their positions in society. Their minds too are not aggressive like their parents, as often misjudged by the society. They are just destitutes left alone and uncared-for by the society.
Makkala Mane is doing a commendable job in maintaining that innocence. Or else, the very children would now be beggars, thieves and young anti-social elements instead of normal school-going children that they are now. --By Shwetha Pangannaya
Saturday, October 24, 2009
India and the Copenhagen deal
Friday, October 23, 2009
Nobel Peace Prize: Controversial Nominations
Wednesday, October 7, 2009
Century-old Cheluvamba Hospital: This is no way to treat pregnant women and new-born babies

Sunday, August 23, 2009
Unseen hands behind Ganesha idols
Once upon a time, Ganesha Chaturthi was just a festival like any other in Indian households celebrated with enthusiasm and reverence. Then freedom fighter and social reformer Bal Gangadhar Tilak gave the festival a patriotic and mass flavour by giving a call to celebrate it in public. Thus Ganesha Chaturthi became the most widely celebrated festival where people of all castes participated without cultural and traditional restrictions.
Every year we see Gowri and Ganesha idols of various hues, sizes and themes. Every year we expect to see new designs in the idols. But we seldom think about the hands behind the creation of such artistic, intricate idols. Clay Ganesha idol was first introduced in Mysore during 1936 by sculptor late D. Puttaswamy. Even now his family makes only clay Ganesha idols without adding any chemical colours.
Some of the traditional artistes of Mysore city have shared their toils and joys in this Weekend Star Supplement. Artist and sculptor Shivalingappa, famous for his rare creation — sand idols — has also spoken to us about the significance of his artifacts.
Buy clay Ganesha idols: City artisans
Mysore is a city of cultures and traditions and has its own significance in every field of art. Similarly, it has its own tradition of making Gowri-Ganesha idols.
In the lanes of Kumbarageri, off Irwin Road in city, first starts the festive season of Gowri-Ganesha festival every year. The artisans of Kumbarageri start the long and tedious process of making Ganesha and Gowri from clay six months before the festival in their houses. They live in tiny houses, at the most one or two rooms making the whole house in which they have to eat, sleep, live and make pottery. They even prepare hundreds of idols and Dasara dolls in their tiny dwellings (see pictures). There are about 20 families of artisans left in Kumbarageri who are still continuing their tradition with confidence and reverence.
The clay Ganesha idols were first introduced to Mysore in 1936 by sculptor late D. Puttaswamy who was famous as Ganapathi Puttas-wamy. Now his grandson Raghavendra (9945441914) is following the tradition by making only clay idols of Ganesha without adding any chemical colours in his Evergreen Model Works company.
It is a joy and wonder to see the idols taking shape at the hands of skillful artisans, men and women alike; to see the making of intricate designs in clay or mud with hand without learning in art institutions or under renowned teachers. Their teachers are their ancestors and themselves. They give birth to new designs and ideas everyday through their creativity.
When SOM spoke to a few artistes in Kumbarageri, they expressed their joy of making the idols and sadness in being left destitute by the administration.
Sculptor D. Revanna, who is a resident of Kumbarageri in city, is a BA (Sclupture & Painting) graduate from CAVA. He has been making Ganesha idols for the past 35 years. He says he inherited the occupation from his forefathers.
Every year he creates something new; Sarvajna and Thiruvalluvar statues this time, celebrating the end of the 18-year-long projects of Karnataka and Tamil Nadu. Revanna adds that he does not sale his creative works but only the traditional art works.
“I create new designs in idols as people want change. They prefer Ganesha idols which look attractive with new designs. Our market is flooding with Ganesha idols from other places like Chennai, Kerala, Bangalore’s Krishnagiri, Alsoor, Bombay and Mangalore, which decreases the demand for idols created by city artisans. Mysore style Ganesha (with a unique style of face sculpting) has its own significance. It is also created only in clay. But the more popular idols nowadays are made from Plaster of Paris and paper pulp which are harmful to our environment,” Revanna said.
“We bring clay from nearby lakes and separate the sand or small stones from the clay which takes 4 to 5 months. After that, we start making Ganesha idols. We also make Dasara dolls for Navaratri festival,” added Revanna.
Revanna appealed to the government to help local artistes who sell clay idols by banning the sale of Ganesha idols brought from other States like 'Bombay Ganesh' which are popular as they are rich in colour, large in size with different shapes.
“The clay idols we make are eco-friendly and some of the idols are sold without paints. But the demand for colourful idols has forced us to compete with the outsiders by using chemical colours. Not many people buy the unpainted idols or those painted with water colour as they do not shine, ” he added.
Everyone in Revanna's family makes the idols for their livelihood. They create up to 10 feet high idols. They do not market their idols. People go to their houses to buy them or order them.
Most of today's youth avoid jobs with low income and less fame like pottery and handicrafts making, even if it is a family business, for fear of ridicule from their peers. But here is a girl who finishes her college and joins her family in the evenings to make Ganesha idols. Rekha, a II year B.Com student of Maharani's College, is a model for other youth. She makes small Ganapa idols by using mould. “Ganesha is the lord of knowledge. I feel happy to do this job because I believe he improves our knowledge. I work till night 12.30 and I will not study for these 15 days as it is the festival season. My friends also come here to see how Ganesha idols are made and express their happiness. I don't feel inferior doing my family's work. In fact I feel proud because making the idols needs a lot of skill and talent.” she says.
“With moulds, we can make nearly a thousand small idols per day. But we make medium and large size idols by hand,” she adds.
When asked if they get any financial aid from the State government for their pottery work or help in marketing, she said they don't get any aid from the government and there is no recognition from any government bodies. “It is difficult to maintain our livelihood from pottery alone. We manage with difficulty because it is our 'kula kasubu' (family trade),” says Rekha ruefully.
V. Srinivas, who is the third-generation artisan, started his profession of making idols when he was a youngster. He creates the idols, whatever the size, with his hands. He says their family does not use the moulds. His wife, son Shyam Sundar and all other members of his family have involved themselves in this work. When asked about education, he replied saying what was the need of education? They all do the same ancestral occupation; that is, idol making. Thus even his children have followed in his footsteps. He says they need a minimum of six months to prepare for the idol-making process.
Nowadays, even the clay, which used to be so cheap earlier, has become costlier due to the increase in the wages of labourers who bring the clay from rural places. The artiste says his Gowri-Ganesha idols have adorned many temples like Chamudeshwari temple atop Chamundi Hill, Srirangapatna Temple and Mysore Palace when Krishnaraja Wadiyar was the King, during Ganesha festival. He proudly recalls the admiration of singer Yesudas who called the Ganesha idol created by him as 'Chinmayamurthi' for its aesthetic and spiritual look.
When asked if they give training to those interested in the art, Srinivas said that there are not many people interested in the art now and they cannot teach unless there are at least 7-8 students. With the limited space available, it is also difficult to accommodate many students.
Another artisan Raghu, also a resident of Kumbarageri, is in this profession for the past 10-15 years. He expressed his sad-ness over the conse-quences of rece-ssion and dwind-ling sale of the tra-ditional idols. Ash-wath and his wife have been making the idols for the past 60 years.
When the artistes were asked if it is possible to use eco-friendly colours for painting the idols, all artistes said that though the government calls for making the festival eco-friendly by using biode-gradable vegetable colours, it has not provided any appropriate equipment for preparing the colours, nor any method. They asked how they can use vegetable colours when it is not available in the market and they have no means of obtaining it.
The traditional artistes of Mysore use mostly water colour and oil paint on clay idols. They also say that as oil paint gives more glaze or shine to the idols and makes them more attractive, customers mostly opt for oil paint-based idols than water colour-based which are more eco-friendly. Most of the city artistes don't make idols using Plaster of Paris, which is a mixture of chemicals harmful to the water body and the aquatic animals in which the idols are immersed.
Plaster of Paris does not dissolve easily in water and the idol floats on water after immersion.
Here is what some spiritual persons say about worshipping Ganesha idols made from clay or mud. They say that as there are references in the Puranas (mythological texts) that Ganapati was created from grime, it is appropriate to use a Ganesh idol made of mud for ritualistic worship. The pure spiritual particles (pavitraks) of Ganapati get attracted to a greater extent towards an idol made of mud than to that of Plaster of Paris.
All said and done, the traditional idol makers of Mysore are dwindling fast with rapid commercialisation of the fes-tival and the entry of PoP and paper pulp idols from other States. With the lessening interest in the general public about the beauty of plain clay Gowri & Ganesha idols and the unique Mysore style, there is not much time left for the extinction of both our style and the arti-stes who have the knowledge to make them. It is imminent that the artistes turn to other professions soon, after all, the artistes too have to make a living.
Sand idols, a rare art by city sculptor
Artisans make Ganesha idols of different shapes, sizes and ideas depicting even current events in them. But here are some interesting idols of Ganesha.
The idols, the exemplary examples of creativity of city-based artist L. Shivalingappa, are made of sand and thermocol. They each portray a different theme.
The artist, who is also a sculptor and writer, says the art of sand-sculpting is not very common among artistes. The sand is mixed with chemicals for bonding. It will not dissolve easily in water unlike regular sand sculptures. He creates idols with new themes every year. People like his innovative ideas, he adds.
Explaining to SOM about the three idols of Ganesha he created this year, Shivalingappa said the Ganesha's idol with books (see picture left) depicts knowledge. His Ganesha has books in the place of face, veena and trumpet (kahale) and as should be on a God’s idol, the Abhaya hasta, assuring the devotees of his benevolence.
The sand scupture of Ganesha (see picture on right) depicts severe famine in the land. As can be seen in the idol, Ganesha's huge stomach has shrunk into a hole due to hunger and non-availability of food. And most interestingly, Ganesha's snake, which is usually tied around his plump stomach has come down and is chasing the rat, his vehicle, unable to bear the hunger. The artist very effectively portrays the situaton of the people and the country where there is less food, less water and less survival rate.
Saturday, August 15, 2009
Some stray thoughts on I-Day
Thursday, June 25, 2009
TREE TRANSPLANTING NOT FEASIBLE
This is my letter published in Star of Mysore dated 25.6.2009 in Voice of the Reader column.
Friday, June 5, 2009
TREE-FELLING IS NO SOLUTION TO EASE TRAFFIC CONGESTION
Sir,
I have been reading many write-ups for and against the felling of 123 trees on Lalitha Mahal Road and Race Course Road in Mysore. Some citizens and the administration say it is for widening the road to ease the traffic on the stretch. The solution to traffic congestion is not cutting trees, but lessening the use of private vehicles.
Now the road may be widened by cutting down a few trees, but after a few years that widened road will again be congested with traffic. Cutting the trees is only a temporary solution, also one with large-scale environmental effects. We see cutting of trees as bad because we are taught that trees provide oxygen, maintain a clean atmosphere, provide greenery and are the homes to birds. Our arguments are mainly based on these points.
Some of us support cutting the trees in the name of development. But development cannot and should not be seen in terms of wide roads, more buildings, more facilities for humans like regular water, power supply and a good administration. It is thinking of development in terms of human benefits. It will be a true development if it is sustainable, where upto the tiniest of insects, all living beings co-exist. If it dosen't, ultimately, we are the ones to be affected badly.
I would like to cite an example here. Fig trees are abundant in our State. A small insect enters the fig fruit, pollinates there, multiplies and reproduces inside the fruit. This is the way the fig tree multiplies in number. If fig trees are cut, then the fig wasps will be extinct, the fruit bats and birds will decrease in number. Because animals cannot change their habitats and food like us humans. They are highly specific.
When a species becomes extinct, other animals dependent on them disappear. All these processes take many years and hence may not be taken seriously by those in charge of taking decisions.
When trees are cut, we can see only the superficial facts associated with them, not the unseen consequences. We do not care much about our own tomorrows, then how can we care for the tomorrows of our children and other living beings?
I request the authorities to please think twice before cutting any tree, doesn't matter how old, because old trees too sustain ecological balance till they die.
---Shwetha
This is my letter published in Star Of Mysore dated 05.06.2009


